| 000 | 01199camuu2200313 a 4500 | |
| 001 | 000000721938 | |
| 005 | 20011016160552 | |
| 008 | 991130s2000 caua b 001 0 eng | |
| 010 | ▼a 99088186 | |
| 020 | ▼a 0804734437 (alk. paper) | |
| 020 | ▼a 0804739765 (pbk. : alk. paper) | |
| 040 | ▼a DLC ▼c DLC ▼d UKM ▼d C#P ▼d 211009 | |
| 042 | ▼a pcc | |
| 049 | 1 | ▼l 111199380 |
| 050 | 0 0 | ▼a PL2443 ▼b .K55 2000 |
| 082 | 0 0 | ▼a 895.1/35209355 ▼2 21 |
| 090 | ▼a 895.3509 ▼b K55c | |
| 100 | 1 | ▼a Kinkley, Jeffrey C., ▼d 1948- |
| 245 | 1 0 | ▼a Chinese justice, the fiction : ▼b law and literature in modern China / ▼c Jeffrey C. Kinkley. |
| 246 | 3 0 | ▼a Law and literature in modern China |
| 260 | ▼a Stanford, Calif. : ▼b Stanford University Press, ▼c c2000. | |
| 300 | ▼a xi, 497 p., : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 435-477) and index. | |
| 650 | 0 | ▼a Chinese fiction ▼y 20th century ▼x History and criticism. |
| 650 | 0 | ▼a Legal stories, Chinese ▼x History and criticism. |
| 650 | 0 | ▼a Law in literature. |
| 650 | 4 | ▼a Detective and mystery stories, Chinese ▼x History and criticism. |
| 651 | 4 | ▼a China ▼x Politics and government ▼y 1976- |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 895.3509 K55c | 등록번호 111199380 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds—old and new, Chinese and Western—sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people’s most trenchant and open critiques of their newly restored socialist legal system.
This is the first full-length study in any language of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal scholars’ “law and literature” inquiry to the rich field of Chinese legal and literary culture. Familiar Holmesian, quintessentially Chinese, and bizarre East-West hybrids of plots, crimes, detectives, judges, suspects, and ideas of law and corruption emerge from the pages of China’s new crime fiction, which is alternately embraced and condemned by the Chinese establishment as it lurches uncertainly toward post-communist society.
Informed by contemporary comparative and theoretical perspectives on popular culture and the fiction of crime and detection, this book is based on extensive readings of Chinese crime fiction and interviews—in China and abroad—with the communist regime’s exiled and still-in-power security and judicial officers. It was in the Orwellian year of 1984 that the authorities set out to control China’s crime fiction and even to manufacture it themselves—only to find that fiction, like the social phenomena it depicts, seems destined to remain one step ahead of the law.
This is the first full-length study in any language of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal scholars’ “law and literature” inquiry to the rich field of Chinese legal and literary culture. Familiar Holmesian, quintessentially Chinese, and bizarre East-West hybrids of plots, crimes, detectives, judges, suspects, and ideas of law and corruption emerge from the pages of China’s new crime fiction, which is alternately embraced and condemned by the Chinese establishment as it lurches uncertainly toward post-communist society.
Informed by contemporary comparative and theoretical perspectives on popular culture and the fiction of crime and detection, this book is based on extensive readings of Chinese crime fiction and interviews—in China and abroad—with the communist regime’s exiled and still-in-power security and judicial officers. It was in the Orwellian year of 1984 that the authorities set out to control China’s crime fiction and even to manufacture it themselves—only to find that fiction, like the social phenomena it depicts, seems destined to remain one step ahead of the law.
정보제공 :
목차
CONTENTS Abbreviations = xi Introduction : The Revival of Law and Literature in China = 1 I. Origins = 21 2. Tradition = 101 3. Shadows = 170 4. Politics = 240 5. Fruition = 317 Notes = 361 Character List = 427 Interviews and Works Cited = 435 Index = 479 Illustrations follow page 240