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| 005 | 20250225165250 | |
| 008 | 180119s1999 ctua b 001 0 eng d | |
| 010 | ▼a 98049066 | |
| 020 | ▼a 0300078900 (cloth 3 vols. : alk. paper) | |
| 020 | ▼a 0300079982 (v. 1 : alk. paper) | |
| 020 | ▼a 0300079990 (v. 2 : alk. paper) | |
| 020 | ▼a 0300080018 (v. 3 : alk. paper) | |
| 020 | ▼a 0300078897 (paper 3 vols. : alk. paper) | |
| 020 | ▼a 0300079397 (paper : v. 1 : alk. paper) | |
| 020 | ▼a 0300079400 (paper : v. 2 : alk. paper) | |
| 020 | ▼a 0300079419 (paper : v. 3 : alk. paper) | |
| 035 | ▼a (KERIS)REF000005408482 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 043 | ▼a e-it--- | |
| 050 | 0 0 | ▼a N6916 ▼b .W5 1999 |
| 082 | 0 0 | ▼a 759.5 ▼2 23 |
| 084 | ▼a 759.5 ▼2 DDCK | |
| 090 | ▼a 759.5 ▼b W832a6 | |
| 100 | 1 | ▼a Wittkower, Rudolf, ▼d 1901-1971 ▼0 AUTH(211009)45402. |
| 245 | 1 0 | ▼a Art and architecture in Italy, 1600-1750 / ▼c Rudolph Wittkower ; revised by Joseph Connors and Jennifer Montagu. |
| 250 | ▼a 6th ed. | |
| 260 | ▼a New Haven : ▼b Yale University Press, ▼c 1999. | |
| 300 | ▼a 3 v. : ▼b ill. (some col.) ; ▼c 30 cm. | |
| 490 | 1 | ▼a Pelican history of art |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a v. 1. The early Baroque, 1600-1625 -- v. 2. The high Baroque, 1625-1675 -- [v.] 3. Late Baroque and Rococo, 1675-1750. |
| 650 | 0 | ▼a Art, Italian ▼y 17th century. |
| 650 | 0 | ▼a Art, Italian ▼y 18th century. |
| 700 | 1 | ▼a Connors, Joseph. |
| 700 | 1 | ▼a Montagu, Jennifer. |
| 830 | 0 | ▼a Pelican history of art. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 759.5 W832a6 1 | Accession No. 111784679 (1회 대출) | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Book Introduction
Art and Architecture in Italy 1600-1750 is the largest volume in the Pelican History of Art series covering almost two hundred years of architecture, sculpture and painting in a country that, for most of the first hundred, was the leading centre of European art. The baroque style created and developed there was to dominate the rest of the continent (and much of South America).Although Rome was at the forefront of the new style, developments in the provincial centres of Milan, Venice, Bolonga, Naples and dozens of smaller towns are also surveyed. The work of Bernini, Borromini and Caravaggio is balanced by that of Ricchini, Guarini and Tiepolo as well as numerous minor masters.
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Table of Contents
Forewords VI Principles followed in the New Edition VII Map VIII 1. Introduction I Seicento Devotion and Religious Imagery Rhetoric and Baroque Procedure Patronage 2. Gianlorenzo Bernini (1598-1680) 5 Introduction 5 Sculpture 6 Stylistic Development Sculpture with One and Many Views Colour and Light The Transcending of Traditional Modes New Iconographical Types The Role of the ''Concetto'' Working Procedure Painting 22 Architecture 23 Ecclesiastical Buildings Secular Buildings The Piazza of St Peter''s 3. Francesco Borromini (1599-1667) 39 S. Carlo alle Quattro Fontane S. Ivo della Sapienza S. Giovanni in Laterano, S. Agnese, S. Andrea delle Fratte, and Minor Ecclesiastical Works The Oratory of St Philip Neri Domestic Buildings The Collegio di Propaganda Fide 4. Pietro da Cortona (1596-1669) 63 Introduction 63 Architecture 63 The Early Works S.S. Martina e Luca S. Maria della Pace, S. Maria in Via Lata, Projects, and Minor Works Painting and Decoration 74 The Early Works The Gran Salone of the Palazzo Barberini The Frescoes of the Palazzo Pitti and the Late Work 5. ''High Baroque Classicism'': Sacchi, Algardi, and Duquesnoy 85 Andrea Sacchi (1599-1661) 85 The Controversy between Sacchi and Cortona Alessandro Algardi (1598-1654) 88 Francesco Duquesnoy (1597-1643) 94 6. Architectural Currents of the High Baroque 99 Rome 99 Carlo Rainaldi Martino Loughi the Younger, Vincenzo della Greca, Antonio del Grande, and Giovan Antonio de'' Rossi Architecture outside Rome 110 Baldassare Longhena (1598-1682) Florence and Naples: Silvani and Fanzago 7. Trends in High Baroque Sculpture 121 Rome 121 The First Generation The Second Generation Tombs with the Effigy in Prayer Minor Masters of the later Seventeenth Century Bernini''s Studio and the Position of Sculptors in Rome Sculpture outside Rome 132 8. High Baroque Painting and its Aftermath 134 Rome 134 Baroque Classicism; Archaizing Classicism; Crypto-Romanticism The Great Fresco Cycles Carlo Maratti (1625-1713) Painting outside Rome 147 Bologna, Florence, Venice, and Lombardy Genoa Naples Abbreviations Used in the Notes 168 Notes 169 Index 184