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| 050 | 0 0 | ▼a PN1993.5.E8 ▼b J33 2003 |
| 082 | 0 0 | ▼a 384/.8/094 ▼2 22 |
| 090 | ▼a 384.8094 ▼b J12e | |
| 100 | 1 | ▼a Jackel, Anne. |
| 245 | 1 0 | ▼a European film industries / ▼c Anne Ja@ckel. |
| 260 | ▼a London : ▼b British Film Institute, ▼c 2003. | |
| 300 | ▼a 168 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Motion picture industry ▼z Europe. |
| 945 | ▼a KINS |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 384.8094 J12e | Accession No. 111432966 (1회 대출) | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Book Introduction
In what kind of state is the European film business? This study is the first in a series that provides an accessible understanding of how the world's contemporary screen industries function. It looks at all the factors in play, from government regulation to the marketing strategies behind an international success like 'Run Lola Run'/'Lola Rennt'. Anne Jackel evaluates how Europe's film industries operate, their working practices and the region's place within the global business of cinema. Exploring trends in production, distribution and exhibition, the book considers a range of national and pan-regional developments. Key areas of critical debate are highlighted, including private and public financing, co-production, film policy, links between the film and television industries, and the threats to 'art cinema' from within and without Europe.
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