| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045986642 | |
| 005 | 20190614165815 | |
| 006 | m d | |
| 007 | cr | |
| 008 | 190614s2016 inu ob s001 0 eng d | |
| 020 | ▼a 9780253020994 (electronic bk.) | |
| 020 | ▼a 0253020999 (electronic bk.) | |
| 020 | ▼a 9780253020871 | |
| 020 | ▼a 0253020875 | |
| 020 | ▼a 9780253020918 | |
| 020 | ▼a 0253020913 | |
| 035 | ▼a (OCoLC)944961497 | |
| 037 | ▼a 22573/ctt1b7r905 ▼b JSTOR | |
| 040 | ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d OCLCO ▼d JSTOR ▼d 211009 | |
| 050 | 0 0 | ▼a PN3352.P7 |
| 082 | 0 0 | ▼a 808.301/9 ▼2 23 |
| 084 | ▼a 808.3019 ▼2 DDCK | |
| 090 | ▼a 808.3019 | |
| 100 | 1 | ▼a Fox, Alistair. |
| 245 | 1 0 | ▼a Speaking pictures ▼h [electronic resource] : ▼b neuropsychoanalysis and authorship in film and literature / ▼c Alistair Fox. |
| 260 | ▼a Bloomington : ▼b Indiana University Press, ▼c c2016. | |
| 300 | ▼a 1 online resource. | |
| 500 | ▼a Title from e-Book title page. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion. |
| 530 | ▼a Issued also as a book. | |
| 538 | ▼a Mode of access: World Wide Web. | |
| 650 | 0 | ▼a Fiction ▼x Psychological aspects. |
| 650 | 0 | ▼a Authorship ▼x Psychological aspects. |
| 650 | 0 | ▼a Psychology and literature. |
| 650 | 0 | ▼a Creation (Literary, artistic, etc.). |
| 650 | 0 | ▼a Motion pictures ▼x Psychological aspects. |
| 856 | 4 0 | ▼3 EBSCOhost ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1200795 |
| 945 | ▼a KLPA | |
| 991 | ▼a E-Book(소장) |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 808.3019 | 등록번호 E14013552 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
목차
Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare''s Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion.