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| 001 | 000046160960 | |
| 005 | 20231020161941 | |
| 008 | 231017s2023 ilua b 001 0 eng | |
| 010 | ▼a 2021061573 | |
| 020 | ▼a 9780226816449 ▼q (cloth) | |
| 020 | ▼a 0226816443 ▼q (cloth) | |
| 020 | ▼z 9780226816456 ▼q (ebook) | |
| 035 | ▼a (KERIS)REF000019807071 | |
| 040 | ▼a ICU/DLC ▼b eng ▼e rda ▼c DLC ▼d DLC ▼d 211009 | |
| 042 | ▼a pcc | |
| 043 | ▼a a-ja--- | |
| 050 | 0 0 | ▼a DS822.4 ▼b .W45 2023 |
| 082 | 0 0 | ▼a 952.03/3 ▼2 23 |
| 084 | ▼a 952.033 ▼2 DDCK | |
| 090 | ▼a 952.033 ▼b W427g | |
| 100 | 1 | ▼a Weisenfeld, Gennifer S. ▼q (Gennifer Stacy), ▼d 1966- ▼e author. |
| 245 | 1 0 | ▼a Gas mask nation : ▼b visualizing civil air defense in wartime Japan / ▼c Gennifer Weisenfeld. |
| 260 | ▼a Chicago : ▼b The University of Chicago Press, ▼c 2023. | |
| 264 | 1 | ▼a Chicago : ▼b The University of Chicago Press, ▼c [2023] |
| 300 | ▼a 400 p. : ▼b ill. ; ▼c 27 cm. | |
| 336 | ▼a text ▼b txt ▼2 rdacontent | |
| 337 | ▼a unmediated ▼b n ▼2 rdamedia | |
| 338 | ▼a volume ▼b nc ▼2 rdacarrier | |
| 504 | ▼a Includes bibliographical references (p. [367]-383) and index. | |
| 505 | 0 | ▼a Introduction -- Selling and consuming total war -- Aviation and Japan's aerial imaginary -- Gas mask parade -- Bombs away! -- Wondrous weapons and future war -- Exhibiting air defense -- Epilogue : afterimages. |
| 520 | ▼a "Gas Mask Nation explores Japanese daily life during the widespread culture of civil defense that emerged through fifteen years of war, beginning with Japan's invasion of Manchuria in 1931 and only ending with Japan's decisive defeat in WWII. This fifteen-year period involved intense social mobilization and the militarization of citizens. As in nearly every war since the invention of the airplane, surveillance, secrecy, and physical safety became visual symbols of national preparedness and anxiety. Everybody was vulnerable, always. And everybody had a role to play. Prevailing scholarship tends to portray the war years in Japan as a landscape of privation where consumer and popular culture were suppressed under the massive censorship of the war machine. Weisenfeld claims otherwise: while not denying the horrors of war, she shows that pleasure, desire, wonder, creativity, and humor were all still abundantly present. Even amidst the fear, tasty caramels were sold to children with paper gas masks as promotional giveaways, and popular magazines featured everything from attractive models in the latest civil defense fashions to futuristic wartime weapons. Gas Mask Nation examines the multilayered construction of an anxious yet perversely pleasurable culture of civil air defense through a diverse range of art works and media including experimental and documentary photographs, newsreels, popular magazine illustrations, advertising, cartoons, and state propaganda"--Provided by publisher. | |
| 650 | 0 | ▼a Air defenses ▼x Social aspects ▼z Japan. |
| 650 | 0 | ▼a Militarization ▼z Japan ▼x History ▼y 20th century. |
| 650 | 0 | ▼a World War, 1939-1945 ▼x Social aspects ▼z Japan. |
| 651 | 0 | ▼a Japan ▼x Civilization ▼y 1926-1945. |
| 651 | 0 | ▼a Japan ▼x Social life and customs ▼y 1912-1945. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 952.033 W427g | 등록번호 111885884 (2회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
A fascinating look at the anxious pleasures of Japanese visual culture during World War II.
Airplanes, gas masks, and bombs were common images in wartime Japan. Yet amid these emblems of anxiety, tasty caramels were offered to children with paper gas masks as promotional giveaways, and magazines featured everything from attractive models in the latest civil defense fashion to futuristic weapons.Gas Mask Nation explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense--or bōkū--through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, cartoons, advertising, fashion, everyday goods, government posters, and state propaganda. Gennifer Weisenfeld reveals the immersive aspects of this culture, in which Japan's imperial subjects were mobilized to regularly perform highly orchestrated civil air defense drills throughout the country. The war years in Japan are often portrayed as a landscape of privation and suppression under the censorship of the war machine. But alongside the horrors, pleasure, desire, wonder, creativity, and humor were all still abundantly present in a period before air raids went from being a fearful specter to a deadly reality.
정보제공 :
목차
Introduction 1 Selling and Consuming Total War 2 Aviation and Japan’s Aerial Imaginary 3 Gas Mask Parade 4 Bombs Away! 5 Wondrous Weapons and Future War 6 Exhibiting Air Defense Epilogue: Afterimages Acknowledgments Notes Bibliography Index