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An illumination of writing's mysteries through examining the words and ideas that were edited out of renowned novels, poems, and plays.

Imagine looking over your favorite author's shoulder and witnessing the moment they begin writing the opening chapter of their best-loved novel. What you might see is that the author has to write, cut, and rewrite their words--often many times--in order to find the right form. Unearthing what has been jettisoned, moved, or edited can give us valuable insights into the creative process.

Editorial decisions are documented in an extraordinary number of literary manuscripts, notebooks, and letters preserved in libraries and archives. What would Frankenstein have looked like if Mary and Percy Shelley had not collaborated on the draft? Would we view The Wind in the Willows differently if its title had remained The Mole & the Water Rat? This highly illustrated book invites you to explore these roads not taken and discover ideas that did not make it into renowned novels, poems, and plays.

With insights into the drafting techniques of writers as varied as Jane Austen, Christina Rossetti, Raymond Chandler, Samuel Beckett, Franz Kafka, John le Carr?, Barbara Pym, Philip Pullman, and Alice Oswald, this is a fascinating unveiling of the mysteries of writing, cutting, rewriting, and publishing creative works.

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Foreword by Richard Ovenden
Introduction. “Kill Your Darlings”
1. Authors’ Cuts
2. Revising
3. Vestigial Notes
4. Replacements & Late Substitutes
5. Less is More
6. Censorship & Self-Censorship
7. Difficult Beginnings, Alternative Endings
8. Editors’ & Others’ Cuts
9. Repurposing
10. Cuts in Born-Digital Works
Conclusion. The Cutting-Room Floor
Afterword by Alice Oswald
Notes
Further Reading
Image Credits
Index